Tuesday, November 26, 2013

And-I-artistic icons take the sense that we want to give. Or even would say: take the sense that th


The entrance to the room: we see several passages marked by white walls where the pictures are displayed. On the left, a table containing books of the time with schematics of the subject.
And what is this topic? The famous war. The post-war Barcelona. Time black, rigorous discipline, repression, fear, silence. Years of Catholicism and nationalism rooted exacerbated silent and narrow head to the winner.
Undoubtedly, whirlwind some images impose respect, exposed with the intention of making the viewer think, to impress him. Images silent, the right to have information contextualized content.
Almost all the collection belonged whirlwind to the same author: Pérez de Rozas. After a little research on the internet (and you can look for yourself), we find that the family Pérez de Rozas has been very important in photojournalism Catalan and Spanish are portrayed moments in the history of the country, especially the city of Barcelona. Here you will find a documentary http://www.tv3.cat/fotografies/fotografs/p-rozas
Five cents to make and how many you may know, on camera, shutter and diaphragm capture images. whirlwind The light captured enters inside whirlwind the camera, and on a film (or glass photographic paper, which later became cellulose acetate, designed by George Eastman, more elastic and resistant) and the photosensitive material ie, it reacts to light-sticks to the film, forming a negative image.
This material, in this case, is an emulsion of silver bromide whirlwind (AgBr) whirlwind photographic paper. The salts of this compound are suspended in a gelatin layer. When light shines on the compound, the molecules whirlwind of silver whirlwind and bromine separate. Therefore, the captured images are "embossed" on the paper, and the images are obtained in the laboratory, in the process of developing.
Finally, I would like to do a little reflection, the core of the conclusions I drew after observing carefully the images. There is a part of the exhibition is that most caught my attention: the celebration of sports and cultural events.
As we know, the war marked the habits of society with fascist character in all areas: from the more intimate audience. From the dining room or cultural associations of the neighborhood or city.
Let me explain whirlwind with an example: almost grabs a covering of the heart to see a picture of the choral singing of Hitler Youth Music Palace with a giant swastika hanging from a balcony of the modernist building.
Beyond the idea that comes to mind: "ideals are anachronistic?" Come to me with questions about the images, the symbols, art "when it is no longer a work in its historical context creation loses its original meaning? Adopts other ". whirlwind That is, the Palace hosted from Beethoven, to dance, to jazz big bands, including David Bisbal, or even Friends of the Arts. And as you see, also hosted the Hitler Youth.
And-I-artistic icons take the sense that we want to give. Or even would say: take the sense that the boss wants to give. Frank took his disposal the famous whirlwind Barcelona existing buildings to accommodate sporting events and artistic. The well regarded by the society of the time. The Franco wanted people saw and accepted.
Thought impacts me so we could reflect on it much, but here ends my comment. I invite you to visit the exhibition, you find that your thoughts on the matter. Have until September 18!
Perez de Rozas, forming part of a very important family in photojournalism Catalan, began working from 9 years, debuting at the Universal Exhibition of 1929, helping his father in his photography studio. In the world of the press debut with the newspaper "The Day Chart" in 1932, and after the Civil War he worked with "The National Solidariad" and "La Vanguardia".
Made a small introduction to the author of many of the photographs whirlwind in the exhibition, and looking for a relationship between photographs and postwar art, I conclude that talk of photojournalism. One form of photography which can be considered a good example of art not only achieved show pictures, but also art and daring the photographer to achieve desired picture.
Trying to avoid a literal copy of Wikipedia, the photojournalism is a form of photography that told stories and articles on a theme by photographs that reflect the causes or consequences

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