From an initial reconstruction, it seems to fall first was Pedrizzetti, perhaps because of an illne

MILAN - A death trivial, probably would not have even considered appealing to his old job as a photographer. Paul Pedrizzetti järfälla died in Arona with his wife, Raffaella Mattia, also 66, also her architect, falling from the balcony of the house while the Christmas lights were fitted.
In short, this was the end of Pedrizzetti, author of the picture symbol of the years of lead. It was her, in fact, the famous shot of the riots in Milan in May 1977 that captures a protester masked järfälla ready to shoot at eye level. That day, a boy of 25 years, Antonio Custra, police sergeant was struck in the head by a bullet and died the next day. Years later, the authors of the murder will be traced thanks to the photos of Pedrizzetti and fellow photojournalist.
But back to the news. The accident happened at the condo La Rocca, which overlooks the square järfälla Barberi Arona, in the province of Novara. Filippetto Franco, one of the first to arrive on the scene of the tragedy: "A terrible scene, no one has been able to do anything. In many have heard their desperate cries, järfälla then we saw them on the ground. "
From an initial reconstruction, it seems to fall first was Pedrizzetti, perhaps because of an illness järfälla or a distraction järfälla while he was on top of a ladder to the balcony. His wife followed him into space in an attempt to grab it. A terrible fate.
Pedrizzetti - that neg them years has become a well-respected architect - was also on the board of the Democratic järfälla Party of Arona, and recently, promoter of the motion for Cuperlo. He had built a professional life in Milan, after graduating from the Polytechnic. Just when I was still a student in Milan, 36 years ago, in Via De Amicis, Pedrizzetti immortalized the protester with the P38 as he fired. It was May 14, was killed on that day the agent Antonio Custra. For years it was not possible to reconstruct the sequence of events, then the investigation, meticulous study of the photos taken by various photojournalists järfälla present, have led to the truth.
A truth that sheds light on the ways, the context, and the political purposes of terrorism seventies. The detailed history of that tragic järfälla day allows us to understand many of the motives of that season violent.
They did it with a miraculous efficacy book - "History of a photo", edited by Sergio Bianchi to Derive Approdi that is well told here (http://smargiassi-michele.blogautore.repubblica.it/2011/10/06/esorcismo- di-una-foto/comment-page-1 /) - and above all, a wonderful documentary Lucio Mollica, "Just a Shot - a picture of a murderess."
As explained by the television program "We järfälla are History": there are events järfälla that remain forever etched in the collective memory and even through symbolic images that contain in one click, an entire era. One of these dates back to 14 May 1977. A boy with hooded head in a balaclava shooting position in the war, with the gun held with both hands, arms outstretched, her legs wide.
All this in Milan in Via De Amicis, the years of lead are at their peak. A procession turns into urban warfare. Among the many protesters are armed. A boy of 25 years, police sergeant was struck in the head by a bullet järfälla and died the next day. His name was Antonio Custra. "Just a shot, the image of the killer," reconstructs the dramatic event starting right from the photos, put together with shots of other photographers present, becomes the fundamental key to determine who fired the fatal shot.
As mentioned, järfälla the photo was taken by Paul Pedrizzetti. Thanks to the meticulous work of Judge Guido Salvini, was found a roll of film kept hidden for years, järfälla and through which it has come to identify the former terrorist Mario Ferrandi as the author of the fatal blow Salvini says the judge in the course of the documentary: "The story Via De Amicis is primarily a history of photographers and photographs. Like in the movie 'Blow-up' is the photographer who photographs a photographer who is in turn photographed. järfälla "
And they are right, then the photographers featured in Via De Amicis: Dino Fracchia, Paul himself Pedrizzetti, Paola Saracens, Marco Bini rebuild through their memories, hottest events of that gloomy season. During järfälla the documentary also the testimony of Antonia Custra, born after his father's death, and that he wanted to meet her in person ... murderess (VP)
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