Decree issued a startling picture of Turin Photo

To what extent can prevail in a professional way blockbuster exhibitions make excellent art fair? Maybe again a few weeks ago, FIAC, held most uninspired and overly businesslike flush approach moved to the Grand Palais iron structures? How much of today's art market is estimated in the photo? These ideas were employed in the Paris Photo 2012, in preparation.
Last year, the 2011 fair, about fifty thousand people see your work exhibited in four days. These data also show that among the photography as art form is really getting megbecsültebb both visitors and collectors. Photo of the month of November in popularity across Europe, rising flush steadily increasing visitor numbers and sold for prices and show that the new photography, began to play an increasingly important role - in trade. flush But this is the impact of the "market"?
The photography for there are few better places to meet visitors, artists, collectors, flush galleries and institutions, as has been held every year in November 1997 Paris Photo. Nowadays, national museums, national museums, galleries and fine art (be it any country) can organize flush a photography exhibition. It was not always flush this way, and perhaps this is the role of this trade fair as well. One of the most important photographers of the world's 128 Gallery this year's event has been announced, of which 91 were returning guests. Clearly dominated by the French (43), also in Paris at the exhibitors, but a significant number were represented flush in the U.S. (29) - galleries flush and German (17) - especially in New York. These are just a few photographs specializing in other part of mixed art gallery.
The muster the characteristics that we find as well the works of 19th-century pioneers, like today's photographers, so almost all segments are represented. In recent years, gaining increasing role in contemporary photography. That is the exciting "mix" give the Paris Photo is a major attraction.
The place we met a number of classics such as Andre Kertesz and Cartier-Bresson's work, today's visitors are handcuffing for long minutes. It was fun to see some of the same negative to be called photographers work - the genre due to its nature - how many times have occurred in different galériáknál. At least three places to see such as Pablo Picasso was famous, Irving Penn's portraits. They were similarly popular in the recent past and of today's photographers Helmut Newton dominant, athletic female body images depicting Annie Leibowitz depicting portraits of celebrities, and Massimo Vitali Italian flush beaches and through the individual pictures of dissolution testing.
New York's Steven Kasher Gallery of Vivian Maier presented his work in particular, who recently starting to explore the profession and the public. Csontvary somewhat similar to those of his story: he lived and worked in that virtually no one knew his works is a pure chance they escaped. He was lucky because he also came across flush a "Gerlóczy" local historian John Maloof, who discovered and rescued by some 100,000 negatives flush estate. A child working as a supervisor for more than forty years, practically Maier végigfotózta the America of the late 20th century. (The precious historical documents is shown on Jan. 6 to a selection of the Mai Mano House.)
The Gitterman Gallery is also located in New York, including works by Adam Bartos and Ferenc Berko set up. The latter, although less well-known book that belonged to the world-famous Hungarian photographer generations. Germany has been subject to the impact of the Bauhaus, then in Paris, London, India and has lived in the United States, but much photographed Hungary. Black-and-white portraits aktképei, celebrity made and used, industrial and advertising recordings made known Berken, who works in November opened the first retrospective exhibition in Europe - also in Paris, the Hungarian Institute.
Decree issued a startling picture of Turin Photo & Contemporary: Thomas Wrede German creation. The Danish Joakim Eskildsen who could rise to the Helsinki and Berlin Taiko already great material. It should flush be noted that the Finns go enviable location in the brand-building: we met several times in the "Helsinki School", in the Paris Photo Prize is one of the young talents with the Helsinki Erica Kovanen received.
Not just some of the artists of the performance, but the entire exhibition space clear of selection consistency, also highlighted the Cologne Galerie Thomas Zander, but the Berlin Camera Work, and the specific American experience and political milieu of New York Robert Mann was put together in the same spirit material: individuals instead of relying on the overall effect.
The fair is a striking one, and therefore not negligible flush flaw is that while last year they were featured guests such as the African photographers, this year's event too the "ny